The multi-million success of Evanescence’s debut album Fallen came high on the crest of nu-metals mainstream popularity (with bands like Limp Bizkit and Papa Roach breaking into the UK’s top ten) and sparked a movement of female led rock/metal bands. The new Evanescence album (which is self-titled) comes many years after their sophomore release and for most is labelled a comeback release (much like Limp Bizkit’s Gold Cobra album also released this year).
First track and lead single for the album, What You Want, shows Evanescence’s sound from the outset, the usual driven distorted rock rift, stomping drum beats and dabbles of bright piano while Amy Lee’s vocals sound less orchestrated and more mainstream pop than ever with the band more eager for mainstream popularity than the grandiose style of much of Fallen which makes for those big chorus’.
Sadly for Evanescence though, this description tends to fit for every track on the rest of the album and while Fallen seemed to swoon from feelings of defiance to emotional uncertainty, it’s clear that here, Evanescence and especially Amy Lee, have nothing more left to prove (or write about). What You Want contains the lyric “Hello hello, remember me?”, many of us will be wishing we could remember the Evanescence of old rather than this dross.
God is in the TV is an online music and culture fanzine founded in Cardiff by the editor Bill Cummings in 2003. GIITTV Bill has developed the site with the aid of a team of sub-editors and writers from across Britain, covering a wide range of music from unsigned and independent artists to major releases.