1. Desperate Journalist – Satellite
Three and half minutes of indie pop perfection with the guitar solo of the year.
2. The Murder Capital – Don’t Cling to Life
Stunning post punk single from the Dubliners.
3. Vex Red – Air
Heavy, droning epic shout-a-long brilliance
4. Squid – The Cleaner
The most brilliantly bonkers song this year from the most exciting new band in the country.
5. Fontaines DC – Roy’s Tune
Melancholic and thought provoking from the band of the year.
6. Sorry – Right Round the Clock
Genre bending brilliance from my most anticipated debut LP in 2020.
7. Elbow – Dexter and Sinister
A return to form for the Bury Boys. Sinister is the word.
8. Aldous Harding – Treasure
Brittle and beautiful.
9. Jesca Hoop – Shoulder Charge
Spellbinding live and heartbreaking on record.
10. Julia Jacklin – Turn Me Down
That middle bridge crescendo is spine tingling.
11. Black Country, New Road – Sunglasses
Scrap the above, this is is the most bonkers song of the year but captivating across all 9 minutes.
12. The National – Light Years
Simplistic but beauteous.
13. Bodega – Shiny New Model
More concise and melodic than their debut LP but unmistakably Bodega.
14. Sports Team – M5
Massive bouncing indie pop about the M5 motorway with one of the most infectious choruses this year, with a ‘Robin Hood Prince of Thieves’ type geographical poetic licence by referring to Aldershot.
15. Big Thief – Not
Intense and slow burning epic first single from their second record of 2019.
16. Mark Morriss – All the Wrong People
The Bluetones frontman is still banging out the hits as good as their Britpop heyday. Summery pop brilliance that takes a swipe at Trump and blinkered Brexiteers.
17. Michael Kiwanuka – Rolling
Could have chosen anything off Kiwanuka but this second track has a brilliant Hendrix/funk distorted Wah Wah guitar line and amazing bass groove.
18. Angel Olsen – Lark
Cinematic epic startling orchestral wonderment.
19. Better Oblivion Community Center – My City
Showcases everything brilliant about Phoebe Bridgers and Conor Oberst’s collaboration.
20. Marika Hackman – I’m not where you are
From the pop record of the year, the lead single is a synthy slinky slice of pure gold about breaking up with someone.
The mixing of influences and genres on “Right Round the Clock” is actually incredible! I’m in love with the production on this track! ❤️❤️❤️
I very much agree. Could not be more excited for their debut album