Lucy Alexander (vocals, guitar) and Luke Cartledge (vocals, drums) aka Scrounge release their debut album Almost Like You Could (Ba Da Bing Records), a tantalising title that gets the brain cogs whirling. It suggests the possibility of freedom and self expression in whatever form, but something is blocking that final part of the path.
Such frustrations are immediately expressed on the opener ‘Higher’, the pounding drums quickly giving way to Cartledge’s vocals, the scuzziest of guitars and the drums becoming fast and furious. A tight two minute banger of a track full of passion.
Almost Like You Could pays homage to the communities and friendships that Scrounge treasure. Their attention to social justice and support of the queer and trans communities is embedded in the duo and inevitability reflected in their creativity. Tracks such as ‘Pageant Queen’, ‘UTG’ and ‘Waste’ ooze authenticity in their narratives, sharing the challenges of living in these challenging times and yet also providing a heightened sense of empowerment and community.
‘Dreaming’ is a heartbreaking track, full of vulnerability and a desire for a peaceful loving existence. The internal struggles and outward turbulence of our times is beautifully conveyed with honest lyrics and a slower yet consistent rhythm which alludes to the mundane and at times unhealthy actions taken in order to survive day to day life.
Scrounge are borne out of a punk ethos and this is perfectly conveyed on tracks such as ‘Melt’ and particularly album highlight ‘Rat’ . The raw energy with the opening scuzzy guitars and tub thumping drums suggest a more intense and determined spirit. Alexander’s vocals are urgent and assured, full of disdain for social inequality and the actions of the ruling classes and the impact on those at the lower end of society’s spectrum. A standout track which once played has to be repeated immediately.
‘Buzz/Cut’ takes a gentler path initially, with Alexanders vocals leading the way. The guitar riff is crisp at the outset and the atmosphere builds as the track progresses. It’s a thought-provoking track, which is honest in its perspective, internally mulling over ones own thoughts and actions.
The final track on Almost Like You Could sees Cartledge taking over on lead vocals. ‘Nothing Personal’ is completely different from everything that has gone before. More experimental in its sonic landscape, and haunting with its repeated chorus: “But I want you to know it’s nothing personal.” There is a slight melancholy in the overall atmosphere, and a sense of taking the burden onto one’s own shoulders. The versatility in Scrounge’s music is undeniable on this their debut album. The duo have produced a body of work which evidences their attention to the human spirit, and the respect it deserves, whatever the background of the individual. Scrounge believe in community and on Almost Like You Could share that is it imperative we care and respect each other, these values wrapped in music which touches both ends of the noise spectrum.
For more information on Scrounge please check their facebook and instagram.
