Given a well deserved four-star rating by us in January, Metamono‘s adroit, manifesto-pledged, Tape EP, questioned the soullessness and...
It’s always tough finding a starting point for a one day festival. At the ticket collection you could see the...
In front of an intimately sized (and privileged) crowd, the increasingly popular Mumford & Sons played a one off show...
Number one is the latest release from The Future Shape of Sound’s (TFSOS) EP Eleven 59. The actual CD comes...
For a band whose methodology of recording was built on endless weeks, days and hours of, mostly, unregulated jamming...
Marmite. Some people love it, some people hate it, and that’s the whole point. Me, I’m different, I love the...
City based festivals are such a good idea. Or at least they are to me. Sleeping in a field next...
We’ve been watching Is /Is from afar for quite some time now. There must be something in the water in...
The fourth feature from Sacha Baron-Cohen clocks up the laughs by leaving no taboo unmolested but lacks the brilliance of...
Thrash legends Slayer headlined the opening night of this year’s All Tomorrow’s Parties, curated by Mogwai at Alexandra Palace. As...
Japandroids‘ breakthrough album, 2009’s Post-Nothing, was supposed to be their epitaph; a final burst of creativity to cap off a...
Released exactly twenty years ago ‘Copper Blue’ remains the most critically acclaimed work of Bob Mould’s post Hüsker Dü career....
The Art School is a place I’ve walked past on so many occasions but, until now, have never had reason...
Picture this; if you will: Two human beings sit opposite each other at a table, between them, upon the gingham...
To the use the term ’Supergroup’ whilst trying to avoid any connotations to tired, musically jaded rock stars releasing self-indulgent...