With to and fro piano keys played in a slow, steady, sinister rhythm in amongst Russell’s vocal that begins as...
Through The Trees begins with a sombre hum of multi-tracked vocals, before turning into a autumnal instrumental of descending guitar...
Opening track Opalbell is an atmospheric dreamlike track like a less aggressive Swan Lake (the band not the ballet), that...
Industrial white noise, a workmanlike clanging and erratic fuzzy shivers of noise do battle with a despairing, wailing tormented vocal...
Ina Rush opens with a laidback, jazzy, freeform amble down dark, dangerous side streets before eventually veering into animalistic hoots...
This single from quartet Aloosh begins as a quirky jittery little number, before settling in a Casiotone For The Painfully...
This third record from Baxter Dury comes, for me, burdened with the weight of his two previous records, each dark,...
A lively and thrilling double A side from London quartet Chapter 24 opens with Spindle, a song that propels itself...
An attention grabbing solo vocal from Anna Muchin kicks off I Won’t Let You Go before the track lurches deliciously...
This 3rd EP from Birmingham band Conquistadors starts by searching the radio waves until Black Swans kicks in with cheerful,...
Opening with the grimily joyful rock of The Hop, American Werewolf Academy have a bluesy swagger that sits alongside Bruce...
Opening track Soft Towels encapsulates everything that’s so absolutely wonderful about this London based three piece, Samuel Wicker’s lively, playful...
There seems to be about three styles jostling for attention on opening track Play Pretend, unfortunately by the chorus the...
Formed in Stillwater, Oklahoma, this quintent comprises four Americans and one Yorkshireman, and their previous LP F, Monday, Orange, February,...
There’s a certain Tarantino-esque rockabilly sound to title track Korea, wonderfully grimy production on these two demo tracks from ,...
