Thank You: UK Tour & FREE MP3

Baltimore’s Thank You latest album “Golden Worry” was released earlier this year to critical acclaim and they bring their sounds to the UK this month before heading back for a tour with Battles in June and a slot at the Battles curated ATP in December. This will also be the first UK tour where they unveil their new bass player STEVE SANTILLAN who swells their ranks to a four-piece. Fans of innovative post-punk, poly-rhythmic drumming, and more cerebral no wave, will find much to enjoy about Thank You. Download a taster track below:

Thank You – “1-2-3 Bad” mp3

Full tour dates here:
Thu May 19 Cardiff, UK Undertone
Fri May 20 Manchester, UK Islington Mill
Sat May 21 Glasgow, UK Stag & Dagger
Sun May 22 York, UK Stereo
Mon May 23 Brighton, UK The Prince Albert
Tue May 24 London, UK Camp Basement

Thank You could only come from one city, at one moment in time. Like Pere Ubu’s Cleveland and Joy Division’s Manchester, post-industrial Baltimore serves as simultaneous playground, obstacle course, and muse to this show-stealing art-rock trio. Jeffrey McGrath (everything), Michael Bouyoucas (everything), and Emmanuel Nicolaidis (everything) are veterans of a cold era when the Baltimore music scene barely exceeded the carrying capacity of a warehouse elevator. Things change, and the band’s urgent collision of rhythm, melody, and noise has placed them at the creative center of today’s Baltimore renaissance, sharing stages and tours with such acts as Beach House (Sub Pop), Lungfish (Dischord), Celebration (4AD), Dan Deacon (Carpark), Zomes (Holy Mountain), Jason Urick, and Future Islands (both Thrill Jockey).

Launched in 2006 with original drummer Elke Wardlaw (who now resides in Berlin), Thank You carved out a new sound drawing inspiration from the innovative post-punk of This Heat and Swell Maps and the polyrhythmic attack of The Ex and Dog Faced Hermans. Their live shows have become the stuff of (living) legend, a tension-and-release pile-on that drops jaws and leaves organs vibrating; their recordings, crafted with collaborators such as J. Robbins (Jawbox, Yeasayer, Ponytail, and Mary Timony) and Chris Coady (Yeah Yeah Yeahs, Beach House, Gang Gang Dance, TV on the Radio), all vital documents of the recent future as performed by six arms and three sets of teeth.

Thank You’s first full-length with new drummer Emmanuel Nicolaidis follows closely on the heels of 2009’s sold-out 12″ EP Pathetic Magic. A band that once limited its vocals to hums, grunts, and chants has entered the next phase, delivering a stellar collection of challenging rock-and-roll songs. But Golden Worry eschews easy, anthemic sing-alongs, instead dipping into the vocabularies of Krautrock, post-punk, no-wave, and noise to produce what is at once Thank You’s most melodic and most aggressive record.

Here we have guitars, drums, and vocals — but also ’60s Vox organs, harmonica, mini-moog, jaw harp, sampler, and Fender Twin Reverb amps — all in the service of six hypnotic tracks of Baltimore-built avant-rock. From the first-jangling, then-jagged guitars of album-opener “1-2-3 Bad” to the triumphant swirls and squeals of “Continental Divide” and the dexterously deconstructed instrumental bridge of galvanizing closer “Can’t/Can,” these songs are intricate yet immediate stunners. Attacked with the ecstatic, fierce energy of a Thank You live set – and then perfected in the studio with ears attuned to dub, Eno, 20th Century classical, and Konono No. 1 – Golden Worry is a new world in which we listeners can lose ourselves: the sound of Baltimore at the vanguard as we enter the Two-Thousand Teens.

Recorded by Chris Coady at NYC’s DNA and mixed by Chris Moore in Baltimore, Golden Worry will be available January 24 on LP, CD, and MP3.

MYSPACE: http://www.myspace.com/wethankyou

Thank You – Birth Reunion from Thrill Jockey Records on Vimeo.

God is in the TV is an online music and culture fanzine founded in Cardiff by the editor Bill Cummings in 2003. GIITTV Bill has developed the site with the aid of a team of sub-editors and writers from across Britain, covering a wide range of music from unsigned and independent artists to major releases.