Slinky indie-pop coils itself around Hatty Taylor’s delightful lead vocal on opening track This Is Normal, that carefully and craftily...
This single from Leeds band Cut Out Shapes opens well with an upbeat drum line and tentatively shimmering guitars, though...
If Not The Best kicks off proceedings with a Sondre Lerche-like pop-jazz tune, Boris Paillard’s vocal and guitar taking it...
Grandiose opening track Subtle Changes sets the stall out for Welsh five-piece Jklmno, all stadium sized guitars and earnest lyrics;...
Slickly produced to be sure, but opening track Phasers Aren’t Set To Stun is a rather sour start to this...
Home opens this record with a gorgeous throb of bass, growing ominous synths, a dark drumline, a pair of guitars...
Jess Randall’s screeching violin kicks off Countess Bathory’s Finishing School For Girls before being accompanied by Joel Gould’s frantic drumming...
This is the first EP from Brooklyn quintet Quiet Lights, it begins with pulsing bass and ambience on Throat Cut...
There’s a certain Tarantino-esque rockabilly sound to title track Korea, wonderfully grimy production on these two demo tracks from ,...
With the state of the music industry today, you’d forgive bands for tip-toeing initially with their audience but Duke Of...
Kicking off with backroom alt-country blues rock Black Licorice, there’s a nice Electric Mayhem swagger to the arrangment, though the...
Opening track Soft Towels encapsulates everything that’s so absolutely wonderful about this London based three piece, Samuel Wicker’s lively, playful...
The first three tracks of this jam-packed release from Erswell all cropped up on last year’s Walking In The Sky...
This single from quartet Aloosh begins as a quirky jittery little number, before settling in a Casiotone For The Painfully...
Jaunty, lightweight indie-pop with a Brit-Pop sneer from singer-songwriter Keith Brown opens with the pleasingly scuzzy title track, nestled somewhere...