Munya is the stage name of Canada’s Josie Boivin. Raised in Saguenay, Quebec and based in Montreal, this is her third EP and the final in a trilogy. Following on from last year’s North Hatley (named for one of her favourite villages in Quebec) and Delmano EPs (the latter named for the Hotel Delmano in Williamsburg), we now have the Blue Pine EP. Blue Pine is a mountain in Twin Peaks – so not a real place, but as David Lynch is an important influence on her work, pretty real for her.
The trilogy of EPs very much sit together (so if you haven’t heard the previous two, get on with it!), making a coherent whole – in fact they’re available. Her sound is that of gorgeous electronic pop, with a lightness on the surface, but a sadness that’s just beneath. Comparisons (not to put her down) could be made with the likes of Stereolab, and also Grimes, Air and Zola Jesus.
As with the previous EP releases, this is a three-tracker, and all songs stand very much on their own terms, rather than simply being one single bulked out with a couple of bonus tracks. ‘Blue Pine’ perhaps shows the David Lynch influence strongest, not as a rehashing of the music from the TV series, but in terms of the dreamy electronic spirit. Seriously, you can imagine Sherilynn Fenn swaying to the music on the jukebox in the Double R Diner. While Munya has recorded in both French and English, ‘Benjamin’, the second track, is the first time she has recorded a bilingual song. It’s perhaps the most French-sounding track (even without the singing) on the EP, but what is impressive is that it refuses to become cloying, instead being sophisticated and dreamy at the same time. On the final track -‘It’s All About You’ we get an eastern influence, with a sitar providing an interesting juxtaposition with the sophisticated French pop. Dreamy enough to be shoegazing, and certainly music to lose and find yourself within, though much less rocky than the music that has generally comes from that genre.
On the evidence of this latest EP, Munya confirms what her previous releases suggested, that she really is a fantastically talented writer and performer. It’s harder than ever to make a living as a musician in this day and age, but I keep getting dragged back to this EP (and the others), and I hope that she gets the recognition she deserves.
