There’s a certain Tarantino-esque rockabilly sound to title track Korea, wonderfully grimy production on these two demo tracks from ,...
Crunching drums hammering out of the speakers with a Vangelis-goes-pop synth-line propel us into opening track Tone, a high energy...
With the state of the music industry today, you’d forgive bands for tip-toeing initially with their audience but Duke Of...
Thunderous opener Eureka delightfully assaults the ears with a cacophony of noise, before, surprisingly, 40 seconds in turning into a...
The success of previous releases from Funeral Club has been their ability to create something evocative of dusty, mysterious times,...
Open with a fuzzy, fluttering flurry of distorted sound like being in the midst of bats and birds, lead track...
This nine piece Leeds based outfit use their numbers to create rich atmospherics and layers of sound on twinkly indie-pop...
Theatrical art-pop with a Kate Bush-vibe from French singer-songwriter Emily B. Green, opening track Sweet Addiction is arch and quite...
Waves crash before the arch punk of opening track Dirty Beaches gets underway, sneery The Clash-like vocals teasing ‘If you...
Chirpy pop from this London-based quartet has echoes of both Jack Johnson and Nizlopi. Bright instrumentation and half-rapped vocals, with...
This single from Leeds band Cut Out Shapes opens well with an upbeat drum line and tentatively shimmering guitars, though...
Kicking off with a fuzzy, scratchy version of the strident, robust rocking riff that underpins The Need For Money is...
This three track EP from Camden-based Scandinavian Eric Ness starts strongly with the jaunty playful folk strut of the title...
Sophomore album from Leeds-based quartet wears its early-Radiohead influence on its sleeve on opener Fall On Me, Matt’s guitar jangling...
There’s a very distinct whiff of Gloria Estefan on the disco-synth pop dance of opening track Roses of Ice (Now...