Baltimore’s Beach House have existed for over ten years now, and Depression Cherry is their fifth album, following 2012’s well-received...
Fans of instant gratification may wish to cancel their reservation at the Josh Tillman Motel, for the Marylander’s sophomore release...
Father John Misty‘s show at Nottingham’s Rock City on Sunday was a truly remarkable one. One of the most intense...
“Is it daft to ask about influences? … Yes!” There’s a lot of love for new bands around at...
Holed up in Distant Cities studios in Yorkshire, Newcastle quintet Lanterns on the Lake took just three weeks to craft...
Beware of technology and its substituting qualities. Observant musician Emma Lee Moss (Emmy The Great) has already demonstrated a skill...
Seattle-based folk collective Fleet Foxes made big waves with their self-titled 2008 effort, finding themselves lauded by critics and...
Versions of Us was forged in a furnace heat of turmoil for Lanterns on the Lake. They lost their drummer...
Following last year’s represses of Cocteau Twins’ ‘Blue Bell Knoll’ and ‘Heaven or Las Vegas’ on the 4-AD label, this week see’s...
Gigs are finally picking up in Scotland after the restrictions were lifted later than in England. The Mash House in...
Around a decade or so ago, Violent Femmes frontman Gordon Gano informed me, in the most gushing tones, that he...
It’s not always the case that sharing management indicates any common ground between bands but it is here. Coming out...
Tallies recently released their brilliant second album Patina through Bella Union, the band’s first new music since their self-titled album...
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‘I am the greatest motherfucker you will ever meet…you could be happy 65% more of the time’ (GMF) Contained within...
‘I loved the melodic effectiveness of hymns and the sound in church, with echo and reverberation, I found it very...