Alexandra Levy, aka Ada Lea writes music as she sees the world, through the synaesthetic eyes of a painter. What We...
Album dedications don’t usually give you much of an idea about what to expect from an album. Then again, Adam...
Whatever people may wish to make out, this is one of the most anticipated albums of the year. The problem...
‘A fifteen track Welsh language record interspersed with fractured instrumental interludes’ – this wouldn’t be the standard premise offered to...
Agnes Obel has previously recommended that we approach the environment around us with a cautious perspective. In her previous record...
Adam Green’s latest project is a film reworking the tale of Aladdin, featuring his own strange cartoon set drawings, and...
In 2018 Adam Stafford released an album called Fire Behind the Curtain. Over 80-minutes Stafford delivered the kind of album...
There aren’t many new ‘indie/rock’ records that open with a delicate clarinet melody anymore, but this excellent debut from Glaswegians...
The sound of Aestrid may well have started to evolve some nine years ago within the confines of Bo Menning’s...
Life doesn’t need to be wall to wall Rick James-type mayhem but there’s gentle, easy-going but vaguely uplifting charm,...
There’s no shortage of negatives about 2020, but let’s focus, for a moment on some of the positives. It’s been...
Sometimes something is released, and whilst technically brilliant or whatever, it would have been better suited to a different time...
For this, their second record, we join a train ride to outer Russia on the Trans-Siberian Express – the longest railway...
Bizarre question. How interesting is glass? Sure, it’s a useful modern day material that’s presence is omnipresent in building structures,...
It is cliched, as Half Man Half Biscuit once observed, to be cynical at Christmas. But it’s hard to stifle...